Hi guys! Happy Friday! Wanted to end this week off by sharing some of my past cool weather favorites.

Also, there are some pieces I’ve worn, whether you’ve seen them on the blog or floating around on Pinterest, that I often get asked about (like this coat!) – not everything is available, but some of them are back in stock and If I haven’t listed something, it’s probably because I couldn’t find it. Of course, if you want to know about a specific item, don’t hesitate to ask.

I Hear the Fragile Beauty of Mortal Earth

In my composition, I strived for a similar experience of encountering an (musical) object. This quest led to a research-oriented approach towards the musical material – an approach in which the chosen musical material is employed as a singular object investigated several times throughout the time-continuum of the piece. In other words, the musical material is regarded as a prism viewed from different angles and under different lightings.

This interaction creates more tension and concentration through constant listening & cueing between musicians and this, in turn, introduces ‘the second dimension’ to the piece.

Hence, the musical material is not used as a departure point that would ‘lead somewhere’; an entity that needs to be ‘developed’, ‘processed’ and eventually ‘transformed’ into something else. Rather, the entirety of the piece is concerned exclusively with finding and presenting different ways of connecting the same pitches to each other, morphing successfully between sounds and the timing of the each musical event.

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